White releases his ego by realizing that he himself is inconsequential. In spite of the increasing amounts of technology, his son still has the same experiences that he had when he was a boy – sneaking out in the morning, being amused by the dragonflies. White realizes that although human lives are by themselves transient and insignificant, experiences are immortal. I watched him, his hard little body, skinny and bare, saw him wince slightly as he pulled up around his vitals the small, soggy, icy garment.Īs he buckled the swollen belt suddenly my groin felt the chill of death. White references this in the final lines: White’s essay Once More to the Lake, first published in 1941, describes his experience as he revisits a childhood lake in Maine. He suddenly realizes how death is so close, because he is now the father and not the son. I felt dizzy and didn't know which rod I was at the end of. I looked at the boy, who was silently watching his fly, and it was my hands that held his rod, my eyes watching. The author compares the time he went fishing with his dad and how he's fishing now with his son: The memory balances the theme of technology, suggesting that certain kinds of technology, if a person can "get close to it spiritually," are able to become almost a natural part of one's self. This could suggest that technology is impure or damaging, except that the same paragraph contains a lengthy reminiscence in which White rhapsodizes about his boyhood affection for an old one-cylinder engine. Although White sees the lake as having remained nearly identical to the lake of his boyhood, technology bars his experience and the new, noisier boats disturb the serene atmosphere at the lake. The essay shows White engaging in an internal struggle between acting and viewing the lake as he did when he was a boy and acting and viewing it as an adult, or as his father would have. White has also become known for his revisions and additions to William Strunk’s The Elements of Style, a manual that aims at helping writers achieve clear, concise prose. White (18991985) as the author of acclaimed children’s books Charlotte’s Weband Stuart Little. JSTOR ( April 2016) ( Learn how and when to remove this template message) WHITE Once More to the Lake (1941) Many people grow up knowing E.Unsourced material may be challenged and removed.įind sources: "Once More to the Lake" – news Please help improve this article by adding citations to reliable sources in this section. Over the years h e produced nineteen books, including collections of essays, the famous child ren's books S tuart L ittle and Cha rlo tte' s Web, and th e long. Both authors arrived at the truth by using all of these techniques.This section needs additional citations for verification. White (1898 - 1985) began his career as a professional writer with the n ewly found ed New Yo rker magazine in th e 192 0s. While the imagery helps to display the struggles. Diction and sensory details, helped us by describing the emotional struggle between the subjects. These two authors used diction, imagery, and sensory details to arrive at the truth of their piece. ” This is how she shows the looking foward from Tamara’s death and to put it in the past. He explained the struggles of a “limp” swan by telling how it was difficult to untangle the wrapped up neck and straighten it out.Īs Williams concludes this essay she says, “I did not look back. The diction chose by Williams has that of a depressing tone. In the short story, “Whistling Swan,” written by Terry Tempest Williams, the writer uses a swan in which he compares the death of Tamara Crocker Pulfer and the late miagration of the swan. With the repetition of imagery and sensory details we come to realize that these are the things of most importance to the author. ://.us/bhslibrary/files/2020/04/White-Once-More-to-the-Lake.
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